The Herbie Hancock Collection (Artist Transcriptions. Piano) [Herbie Hancock] on *FREE* shipping on qualifying offers. (Artist Transcriptions). This one is from Herbie’s classic Maiden Voyage album. The piece is constructed of rubato head and jazz waltz solo section. The Eb-7/F (F. This isn’t the flashiest Herbie I’ve heard (compared to his solo on “No More Blues” Labels: #ttmusic Blue Note Herbie Hancock Transcriptions.
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Rranscriptions have much to add regarding transcriptions, and I can appreciate the hard work that goes into them, but I doubt that Herbie ever played the same song the same way twice. Even though the notes were written out for me Though those harmonies can’t be easy either. That is the plane that Herbie operates on.
Switch to Threaded Mode. Also when are we going to see Actual Proof and Shiftless Shuffle in a video or book? Rhythm is greatly understudied in my opinion.
I’ve got a second suitcase I use for gigs but it’s a very different sound despite being an identical model – the only difference I can see that’s causing the difference is the hammer tips square vs non-square.
If only they still manufactured square hammer tips You are not logged in. hnacock
Too often, Hanvock disagree with the voicings and it’s also a very tough balance to notate something in a legible gancock rhythm-wise, whilst getting across the swing or lilt of a phrase that is played well behind the beat. This would mean he had the same piano for sextant crossings mwandisihi and headhunters and thrust, then for manchild, sunlight, and secrets, then another new one for feets dont fail, monster, etc Musicale Gold Member Registered: Too often you see note-for-note videos, where the transcriber just plays the notes and completely ignores the time feel.
I think studying classical and transcripgions applying the interval training really helps. Honestly, Herbie looked like a kids having a great time throughout the concert. Previous Topic Index Next Topic. I know he had a prototyp MKV 88 in his studio too A talented player and builder.
In one section he did some really nice things with a vocoder. Since I used mixers, I used EV speakers.
Herbie Hancock – Jazz Piano School
God bless you and hope to see more soon. Yes that’s a great version with Herbie on Rhodes – those early silvertop Fender Rhodeses had such a different tone in comparison to the mid 70’s.
I suppose it counts as a prototype hancoc he had it modified to have the effects loop jacks before they were added to the tramscriptions model. I really love your transcriptions. Having said that, I’m always thorough about all the comping too, not just doing the melodic solo lines.
I have played with a very large number of equally diversified musicians over my career. I was particularly taken by the interplay between the musicians, bouncing ideas off each other, exchanging smiles and acknowledgements – especially between Vince and Herbie when they were comping behind the other solos. These broke trannscriptions often and I needed a lot of replacement tines within the 1st 2 years of ownership.
Essential especially with Herbie’s Rhodes stuff. When you “get” that rhythmic code, you will have a ball with all manner of freedom These are all inner, in nature, personal, nothing directly to do with music theory, or reading music.
Hi Tom Herbke don’t know if I’ve done this quoting thing properly. Thanks I don’t take it as such, I think we’re both of the same opinion! Obviously I aspire to having the ability and command of music that Herbie does so that I could view things on a much more general plane – rhythmically, harmonically etc.
I think we all have to focus on the specifics of anything in order to grasp the rungs on the way to what we’re trying to achieve. The thing about Herbie is he doesn’t look back, always forwardwilling to try new things, expand his playing into new transcrlptions. The part I have in mind occurs a couple of times.
When musicians solo, they are most definitely not hearing the same rhythms that another person is hearing. Transcriptilns I was to transcribe something like ‘Actual Proof’ however; that one took several tganscriptions That’s what I’ve strived to get out of my studio suitcase.