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Is it possible that skills and popularity are sufficient reasons to evoke it? As if you didn’t mmouette that I am collecting your letters in order to sell them later and thus assure a living for my old days!
La Mouette d’ Anton P. Chekhov, who has for a long time fled from Saint Petersburg, and could read the enthusiastic and therefore far too doubtful reassurance in the letters of his friends, was fully aware of the situation. Everybody was perplexed, the general atmosphere was anything, but not cheerful.
The Seagull has failed for the first time at the premiere. However, one thing was missing, it could not have been integrated: His diary mouettf preserved only a few sentences with the date of 17th October: The cast in the Alexander Theatre was really impressive, even the great actress of the period, Comissarjevskaya played a role.
The voice of the actress was hardly even heard in the general pandemonium Many were trying to find its reasons. After the performance they were desperately looking for him, but he was nowhere. Une intrigue bien mince mluette un enjeu aussi vital. Tous le savent, acteurs, public et presse.
It turned to be a short novel. Chekhov has condensed many autobiographical elements in this character, too, but the critics didn’t notice it at the beginning.
La Mouette de Tchekhov – Avignon 2012
The first objection was that Potapenko the seducer of Lika was easily discernible in the figure of the famous writer, Trigorin. His figure was built on one single feature: The main condition was that the young heroine should not notice the affair of her mother and Trigorin.
She simply doesn’t speak. Or just insert something like that: One feels that the author is willing to say something – what exactly, he himself doesn’t know – but is incapable of reaching his goal. Mizinova See, now you have a pretext to call me liar! The date of the premiere was 17th December After making a lot of promises that he would never deal with theatre again, after a good many one-act plays performed all over Russia, Chekhov started to write a new drama on the 21st of October, Knipper and Meierhold played very well.
It is the creation of a second realism. Don’t fear to stay at my place. Theatre critics blamed first of all him and his play, not the theatre, the direction or the actors. The critics never spoiled Chekhov. According to the critics the other weak interpretation of the play was Trigorin, performed by Stanislavsky. Comedy, three female and six male roles, four acts, a landscape a panorama of the lakemany discussions about literature, little action, five pounds of love.
Mizinova to Chekhov, Pochrovskoye, 1st November Most of the critics considered that the play has failed because it was a weak drama. The censorship was studying deeply and for a long time the text of the Seagull.
He was a weakling, an extremely complacent Trigorin – wrote Ephros about him. My play, the Seagull was presented today at the Alexandrinsky Theatre. I will not allow myself any indecency, if only because I’m afraid to ascertain about happiness never coming. Conflits entre directeurs, conflits entre directeurs et bailleurs de fond. The performance turned out to be a scandal; even experienced old men of literature as Suvorin agreed in never ever having seen such a horror.
Since then this realism stays in theatre as some kind of illness or virtue? He sat his actors onto a long bench as a fourth wall, facing with the back the audience.
Stanislavsky succeeded in building this fourth wall so dominantly that since then everybody constantly wants to demolish it, together with the other three. Chekhov wrote in December to Suvorin: Chekhov must have feared that this Medvedienko constantly talking about money can easily slide into a caricature-figure.
Chekhov lost his polite patience to the end of the summer and instead of detailed texts he started giving short instructions to Potapenko who was discussing with the censors in the name of Chekhov. Jamais le public de Moscou n’avait vu pareil spectacle.
La Mouette de Tchekhov
In the introduction Stanislavsky considered it important to distance himself in a certain degree from his own earlier work, as his ideas have changed a lot in the meantime. Thus I will have at least a little hope left. Nuits blanches et crises de nerfs.
Here everybody says that you have borrowed the Seagull from my life, tcheko they also say that you’re upbraiding someone else here, too! Still, what he had to bear at 17th October and the days after was incomparable to everything before.
He started to love and understand the play while writing about it. The actress has left the theatre soon.
Stanislavsky was not a good Trigorin.